Lenses

Primes:
ARRI/Zeiss Ultra Primes
10mm T2.1
16mm T1.9
24mm T1.9
32mm T1.9
50mm T1.9
85mm T1.9
135mm T1.9

Zooms:

Angenieux Optimo 24-290mm T2.8
Cooke 20-100 T3.1

Support

Oconnor 2575
Standard Legs
Baby Legs
Hi Hat

Sachtler 20SB system

ARRI FF4 follow focus
Bartech Wireless Focus device

IDX Camwave wireless HD video (no delay)

ARRI MB-14 studio mattebox
ARRI LMB-4 Lightweight mattebox
ARRI LMB-5 Lightweight mattebox

Anton Bauer Dionic 90, HC, and 160 batteries
Anton Bauer Quad TM4 and 2702 chargers

4 x 128GB RedMag SSDs
2 x 256GB RedMag SSDs
RED Stations for 1.8" SSD media

26" Panasonic BT-LH2550 monitor
17" Panasonic BT-LH1760 monitor
17" Panasonic BT-LH1710 monitor
8.4" Panasonic BT-LH900A monitor
7" TV Logic monitor

4" Original Slider

 

 

RED ONE- The world's first affordable RAW 4K digital cinema camera.

Red One started a revolution...a high-resolution camera with a 35mm sized sensor and PL mount ready to accept 35mm film lenses. We've upgraded our camera with the new Mysterium-X sensor and SSD module to keep this workhorse on the cutting edge.

Key Features

Super 35mm sized imager
Shallow depth of field like 35mm film
Slow Motion
120 frames per second in 2K resolution. 60fps in 3k.
Mysterium-X Sensor
High resolution and rated at 800 ASA
Dynamic Range
13 stops of native dynamic range
SSD Media
New class of media available in 128 and 256GB capacities. No risk of dropped frames from handheld or vibration. The flash magazines are small and fast so you're not waiting on downloads.
Raw
You may be familiar with the flexiblity afforded by shooting RAW on your still camera. Now you can shoot raw video to unleash an amazing palette for color correction.

Easy post workflow

McIntosh Productions is committed to making post production easy with all the latest digital cinema cameras. Our Davinci Resolve with Red Rocket system supports Red files natively in real time.